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English
Language Teaching in Japan

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How to take
photos: Landscapes
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This assumes
you've already looked through (and even read some of) the
'How to use your SLR'
articles. If you like this, bookmark this page in your browser, or with
del.icio.us
(look below for others).
Also, go to our forums to
discuss and ask questions. |
Basic gear you need:
- Tripod (or monopod if
hiking), remote shutter release (or use your cameras timer)
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The Aim:
- To show something unique,
original, that others haven't done or seen before
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How:
- ISO: Usually, it's best to use
iso100 to avoid noise.
- Aperture: about f22
is usually good, as there's more of the scene in focus.
- Shutter Speed:
These vary, according to the conditions. I usually use my tripod and timer
or remote release for slower speeds. If you're photographing waterfalls,
rivers or lakes, then your shutter speed is more likely to be about one
second or two (consider adding a Neutral Density
filter).
- White Balance: Be sure your
white balance is set for
the the light conditions, either 'Sunny', 'Cloudy', or other
- Lenses: I prefer to
use a shorter lens, where the focal length might range from 11 to 50mm. I usually use my 18-70mm lens,
but if I had a 24mm or 28mm Minolta lens, I'd prefer these. Other people
might prefer something shorter or 50mm lens (non-zoom / prime lenses). Often, a newer lens can bring out more details or
more colour, but go with whichever is vital for your composition
- Quality Issues: Be sure there's no
distractions, or unnecessary junk in the background. Plan it, so
everything that you see through the lens is there, because it needs to be.
That includes no powerlines, no garbage bins, or an unsightly McDonalds
billboard or other. Avoid shooting in the midday sun, as the shadows are
harsh, and highlights are over done. I prefer late after noon with a lower
sun, and a slight tinge of gold on everything, giving a warm colour cast
on everything. Other photographers will tell you early morning is best. If
you do have to shoot at a time closer to midday, make sure you're on the
lit side of the object, and so you're hiding the shadows. Finally,
Usually, you want to avoid putting the horizon across the middle; usually
you'd put it in the upper 1/3 or lower 2/3 portions of the frame.
- Composition: Also see the
composition article.
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Examples:
Click on these to view them at a
larger size
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< F9, 1/125,
iso100; 18-70mm lens at 18mm, with Cokin P160 linear polariser |
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< F11,
1/100, iso100, 18-70mm lens at 40mm |
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<F4.5,
1/125, iso200; 75-300mm lens at 75mm, monopod used. Notice the thirds
rule being applied (see the
composition article).
Here, the object, the cable car is lit up, and with a shadowy
background, makes it stand out. |
 Also see
this gallery
for more examples |
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