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How to take photos: "Which
camera should I buy?"
Basic gear you need:
A whole bunch of brochures
from a whole bunch of manufacturers, coffee, coffee cup, pencil and
notepad.
The
Aim:
To find something that
suits you (and is in your price range).
This article discusses:
Digital Single Lens Reflex
(SLR) cameras
The main differences
between brands and sensors
Your style.
The low down:
What's the
difference between them all? Well, assuming you're not going for the
cheapest because you're the stingiest, then the answer is simple: not
much. All the major brands, Pentax, Canon, Nikon, Sony (formerly
Konica-Minolta), FujiFilm, Sigma and Olympus are good.
I personally chose to buy a
Konica-Minolta Alpha Sweet (as it's known in Japan, aka: Dynax 5d). I
was also looking at purchasing a Nikon d70s, but chose the Anti-Shake
feature that the KM A-Sweet has. All other aspects of both cameras were
equally good for me, though someone who's into sport photography would
have chosen the Nikon instead.
Really, for amateurs, any
of the
above mentioned brands are probably fine for you.
Sensors:
This is
where you see the differences, and where you need to do some study. The
sensor is what digital cameras use instead of film; therefore it's crucial
to chose the sensor and the camera as a package, don't just shop for the
camera without considering the sensor that comes bundled in with it.
There's
two main kinds, 'full frame' sensor, and the other. 'The other', is usually
about 28mm, remember that film in SLRs was 35mm, and so a full-frame sensor
is a full 35mm. Consider, the 28mm sensor is cheaper, and the full frame is
more expensive. Now, which gives the best results? Well, usually the more
you pay, the better it is. The big issue with 28mm sensor is noise, see the
noise tutorial if you're
not sure what this is. The basic rule is: bigger the sensor; the less noise
there'll be in the image.
But,
which sort of sensor is more common? The smaller one. Only the most
expensive high-end cameras have a full-frame sensor, so whatever you buy,
it'll probably be the smaller one. But these days, it's no major issue.
Types?
Well, there's CMOS, and CCD. The CMOS seems to be better, and Sony,
recently, got a good deal with the makers of the CMOS sensor, so their new
A700 is simply awesome. Canon is the other major user of CMOS, and so their colour
spectrum is fine, though the Nikon (CCD) and Konica Minoltas (CCD) had
pretty good colour, but noise was a little annoying.
Mega Pixels:
Bigger is
better, it's been said, but not necessarily so. Nikon came out with an
8mega pixel camera a few years back to compete against the Cannon Rebel,
Konica-Minolta 5d & 7d, and Sony A100. However, the older 6 mega pixel
Nikon gave the
best results. Essentially, it was the same sensor, but enhanced with
some dubious software. No one's trying to pull that trick again, for the
time being. (update, the Sony A300 and A350 doesn't seem to be as good
as it's little brother the A200 on this point).
Currently, all new SLRs are at least 8 mega pixels, and so you're in the
'good quality zone', anyway. Also, all new models, in order to compete, must be
in the double digits, and so you're usually assured of excellent
performance, and with much less noise compared to previous models.
So,
mega pixels aren't really an issue in selecting a camera for you, these days.
Your style:
Essentially, this will help you work out which camera is best suited to you.
If you're into landscapes, then anything is fine; if you're into travel,
chose a smaller one like Sony A100, Canon Rebel, or Nikon 40; if you're into
portraits, chose a Sony, as the colour for skin tones is better, if you're
into sport, you can't go past the latest Canon or the Sony A700. Camera
manufacturers are currently coming to the end of setting up their lines of
digital cameras, and the market will be saturated with the second generation of
digital SLR cameras, and the third generation up take is expected to be slow
and a little more distant in time.
I'm not sure how things will change after the peak change over period (from
film to digital) is over. But things will probably look as good as they
appear now for us photographers.
Below
is a chart of major styles of photography, and the main features you could
look for in a camera for that style. Each photographer will have their
opinions, so don't hold this list like a bible.
True colour representation
Fast Shutter speed
Excellent sharpness / bokeh in lenses
Light weight
Anti-Shake
Good lens selection
landscape
ü
ü
portraiture
ü
ü
travel
ü
ü
ü
sport
ü
ü
ü
ü
studio
ü
ü
event
ü
ü
ü
ü
indoor
ü
product *
ü
ü
macro ^
ü
ü
(ü)
ü
* We mean 'mini
studio' work ^ For instance, flower photography
Explanation
"Good
lens selection": doesn't mean that you should expect that there would be
many lenses available for macro work for instance, but you should expect at least one
lens to be available for each type of photography that you're into. Don't
forget to check 3rd party makers
"Colour representation": Canons tend to have a drier look, though
Nikons and especially Konica-Minolta / Sony cameras have truer skin tones in
the final image.
"Product" photography, is for instance, watches, CD players
and things where the photograph would be used in advertising and catalogues
and other such media. Also see 'mini studio'
"Light
weight": Usually, a slightly heavier camera is better. If you use a light
one, then your pictures may show some tilt and slanted horizons as a result
of you pushing the shutter button.
More
specifically
These
are not endorsed, but consider these cameras in particular, when shopping:
Olympus e500; any Sony Alpha, particularly A100 to A700; Nikon d40 to d80; Canon 400d (aka Rebel,
aka Kiss), and others; Pentax k100d, k10d, k110d, the SLR Fujifilms, and
Sigma.
Tutorials:
Some useful
tutorials that relate to your style.
Got questions? Ask on the
forums.