|
Special Message:
Everything comes in cycles: with every downturn; there'll be an upturn.
Get these
as cards

Get these as prints for
your walls
| |

Depth of Field (DOF) Explained
(The simple explanation)
| This is about how much blur there
is, and how changing the aperture can change how deep the blur is. F5.6 (or
less) is quite shallow, and so most of the fore and back grounds are blurred
out; F22 and above has more of the picture in focus. Click on these below
and see what I mean. Also notice that F5.6 lets in lots of light, and F22
lets in much less.
Also see Depth
of Field. |

Click this picture to see how it
originally worked on manual cameras, where you manually turned the dial. |
| F-Stop |
The scene |
Close ups |
Depth
(simulated) |
| F5.6,
1/125, iso80 |
 |
 |

Click on these to see details |
| F9, 1/125,
iso80 |
 |
 |
 |
| F18,
1/125, iso400 |
 |
 |
 |
| F22,
1/125, iso800 |
 |
 |
 |
| F36,
1/125, iso1600 |
 |
 |
 |

|
Examples:
Also see Depth of
Field. |
|
|

F8, 1/160, iso400; 75-300mm lens at 300mm.
Little Flute. KM Alpha Sweet, digital |

F5, 1/125, iso100, Canon EOS 5d.
By danielgilbey, Crestock, 2008 |
|

> F9, 1/160, iso400, 75-300mm
lens at 200 (handheld, but held steady against a pole) |

F11, 1/125, ISO100
KM Alpha Sweet, digital |

| |
We proudly support:











|